فصلنامه پژوهش های ادبی - قرآنی
پیاپی 2 (تابستان 1392)

Translations of the Holy Quran in Persian Language that have remained from the early centuries of Islam and the following centuries are the sign of Iranian faith to Islam and to the Heavenly Book, the Glorious Quran and the conviction to Persian language. This study has comparatively tried to investigate two early Translations of the Holy Quran with two dialects from linguistic and morphological point of view. The first is Quran-e-Ghods with Sistani Dialect and the second Translation is Quran-e- Pak with Khorasani Dialect. In terms of diction and terminology, there are common grounds between the two translations, since Dari language is the basis for both translations. But in some cases, some traces of special dialect of the area is encountered. 73 verses of Baqara chapter translated in Pak and 86 verses of the same chapter from Ghods translation are analyzed. The results reveal that special obsolete dialect terms are equal in both translations, but they are not similar.In Ghods version there are 40 terms and other obsolete terms are about 113. They are transferred after the phonemic variation.

The unique importance and position of the Holy Quran has led the Muslims to have the most important and the most frequent references to the Quran. But due to the different understanding of people depending on their aptitude, the best and most magnificent method of reference to the Quran is witnessed in Holy Imams ratifications. Some of their references to the Quran are direct and some others are indirect.Uninformed people can recognize direct references; however only the well-informed people can perceive the indirect ones. This article investigates indirect references from a literary point of view and four types of references are discussed lexical, propositional, inspirational, and implicit.

In the development of the discussion of the Language of the Quran, two codes of conducts should be distinguished. The first is the noble and genuine one starting from the early revelation and continuing to contemporary era. This trend yielded outstanding outcomes and literature. The second code of conduct originated from western literary and philosophical atmosphere and brought into area of Quranic discussion by Orientalists and Muslim intellectuals. The present study, investigates the second trend. This code of conduct has enjoyed two origins literary/linguistic and literary/philosophical origins. The study has assumed a descriptive- analytic approach through a literary search.

Every language possesses characteristics, elegances and delicacies. In the process of translation these features might disappear. However, every language enjoys mechanism for the reflection of the delicacies of source language. Transfer of these intricacies and delicacies from source language to the target language presumes excessive importance. Since the Quran is Allah's word and the road map for human forever. This feature proves superiority of the Quran and as a result its translation is sensitive and complex. This holy text possesses beautiful expression for communication which is professionally and wisely constructed and the literary and linguistic delicacies are in the service of its glorious and superlative concepts.

Defamiliarization is one of the accomplishments of Russian formalism focusing on the alienation of the norms of language. This process resulted in the creation of attraction and foregrounding is one of its consequences. This article tries to study the holy book from foreignization perspective and reveal the range of the applications of these linguistic and aesthetic techniques by the holy book. The study tries to investigate the cases of deviation in part xxx to compare formalist theory with the language of the Quran and on the basis of the literary interpretations to discover the reflection of its influence in exploring the concept and enjoyment. The holy Quran apples foreignization by deviation and rule creation through the use of linguistic resources and as a result of foregrounding conceptualize- tions has exceeded to the highest level.

The holy Quran is a heavenly charter with thorough manifestations of beauty, attraction, and dynamism. Of these symptoms is its wonderful artistic scenes and images. Each of them clearly exposes and unveils creator's magnificence and attractions. Through applying a range of apparently simple words and phrases, it creates wonderful scenes and attractive images stimulating feeling and sympathy and attracting human's logic and thinking. This language is so live and impressive that the reader does not see himself as a reader, but he finds himself as the observer of the alive and active scenes. This phenomenon is due to the use of the rhetorical mechanisms such as metaphor, elusion, etc. from one hand and the combination of elements such as contrast between scenes, speech of artistic images and their origin on the other hand. This article tries to analyze them aesthetically in Foselat chapter.

Integration of text is the result of linguistic approach to text oriented criticism. Gheisar Aminpoor, the committed and well known Iranian poet, is differently influenced by the Holy Quran. This influence is sometimes manifested in subject matter and content and in some other cases in words and expression techniques. In Aminpoor's poetry there are different types of adaptations: allusion, analysis, lexical impression, propositional impression etc. In addition to techniques based in Quranic teachings, which have obtained outstanding presence, Aminpoor has applied these techniques to express contemporary human sorrows and grieves who is deprived of spiritual ideas. Aminpoor's imitation from the holy Quran is so intricate that discovering the references is often difficult and requires a lot of care and attention. The present study tries to investigate methods of Aminpoor's Quranic imitation from intertextual point of view, a new linguistic perspective.

Defining the term Tavasol (resort) on the basis of the Quran and Traditions, this study tries to explore its form and content in Nezami Ganjavi's Poetry. The article covers point of in Nezami's resonting, its type's resonting to essence and attribute, tone of resorts, direct and indirect resorts, resorting and intercession, etc are discussed. In point of view, Nezami's style is discussed. In terms of types, his resort to Allah's essence, his names and attributes are taken into consideration. Regarding indirect resorting different issues are touched upon. Also different aspects of tone of resorting are explored. Generally comparing Nezami's approaches with ideological approaches based on methods of critical comparison based on the Quran and Traditions form the basis of this article.